3D TV – must-have gadget or modern gimmick?

Article first published as 3D TV; Must-Have Gadget or Modern Gimmick? on Technorati.

3D TV is the latest idea to move out of the lab and in to the home. At the beginning of this month, Rupert Murdoch’s Sky TV launched Europe’s first 3D television channel, showing 14 hours of content daily. So far this has been selected films and Premiership football matches, following on from trials of the service in pubs across Britain.

Just like when you see a 3D film at the cinema, you need to wear special glasses. But gone are the plastic blue and red specs you pay more for at the flicks. The new generation of 3D TV uses sleek, futuristic-looking glasses. They’re not cheap, at around £100 ($158) a pair, but are of course more sturdy and reliable. The old glasses will still let you see in three dimensions, just not as well.

However, the cinema is a place where, over the last few years, people have become accustomed to picking up a pair, sitting down to watch the film and looking a bit silly. The living room is a whole new arena – are people ready to adapt?

Where is the market for non-fictional 3D content on TV? I’ve seen one or two films marketed as “3D”. One was Coraline, Henry Selick’s computer-animated adaptation of the Neil Gaiman novel. I remember a few things seemingly coming out of the screen towards me, which I presume is scary for children. But is it entertaining? Does it add anything to the plot, or is it just a gimmick? I think the latter. Warner Brothers announced last week that the planned 3D release of Harry Potter and the Deathly Hallows Part One had been cancelled as the studio was unable to ready it in time for the November release. As such, the film will only be seen in cinemas in 2D. Part Two, to be released in July next year, will also be in 3D.

I cannot see 3D being employed as a serious tool by, for example, news broadcasters, talk shows, comedy programmes or any drama series. It would ruin the feel of the programme by figuratively and, literally via technology, breaking the fourth wall.

Then there is the actual capability to view the programmes. For this, a TV with the necessary hardware built-in is required. Many people have forked out for expensive high definition televisions, and these are just now becoming the new standard available in shops. Consumers set them up to find that the quality on a small selection of programmes is only marginally better. It will be some years before HD becomes standard on the majority of television output, and surely many more years later before 3D is so – if it ever takes off properly.

Also this month, the first hardware supporting Google’s upcoming TV offering will become available, with Logitech’s Revue set to ship on October 21st and offerings from Sony and other companies debuting later this year or in early 2010. Apple also started selling its relaunched Apple TV box, first shown in September.

It seems there is a future in television, despite what the online future media nay-sayers might claim. But the content and format is certain to be very different to that seen today.

Image by user pcs007 on Flickr, used under a CC-BY-SA license.

The inevitable WWOHP entry

I wrote yesterday’s blog, added the photos and tapped publish. Between my iPhone and my website, something went wrong and both that post and a draft I was working on about me and my friend Rob wanting to go to the Edinburgh Fringe Festival were deleted. The essence of yesterday’s entry was that I went to the beach, was looking forward to going to the Wizarding World of Harry Potter today, and lamented the closure of Dreamland, a theme park in Margate, south east England.

So on to today. Not going to dwell on this but WWOHP was a massive disappointment for me. As I discussed in yesterday’s vanished post, I don’t enjoy rides at theme parks, so I don’t go on them. There are three at WWOHP. The one which I sort-of did want to go on had an hour’s queue time, so I didn’t bother. So I can’t judge the park on its rides, as I didn’t experience any of them.

The buildings are all topped with snow-covered rooves. This I have never understood. However far up in Scotland Hogsmeade is supposed to be, it wouldn’t be snow-covered all year round. Amusingly the castle – much higher up than the village – is snow-free. Riddle me that, Mr Park Designer.

I started off in Zonko’s Joke Shop. The inference by the production designers of both the films and park – same people – is that because wizards don’t use electricity, they are unable to light their shops properly, or clean anything. The passageway to the toilets was dark and the walls were covered in greenish muck, or something. Speaking of the toilets: America, seriously. Why do you have large gaps between the door and the cubicle? People can see inside the toilet!

I was now in Honeydukes. I left quickly and walked back in to bright sunshine. I saw The Three Broomsticks, which again looked very dark and like Madam Rosmerta had given up cleaning the place decades ago. Nothing like the jolly pub I was expecting.

I moved on, seeing a few fake shop fronts like Scrivenshaft’s then past the long queue for Ollivander’s up to Hogwarts Castle. The castle was impressive, I’ll give them that.

Briefly – I queued at a Butterbeer cart and asked for frozen. This is apparently the good stuff. A lazy American drawled that I couldn’t have any, but “maybe in 15 or 20 minutes”. Fine, whatever. I waited and went back. $4.25 and it wasn’t even that nice, just a bit like a fudge Slushie or something.

There were Beauxbatons and Durmstrang students doing some sort of photo opportunity and then some Hogwarts students did some singing, that song from one of the films where an absurdly young Flitwick conducts the never-before-mentioned school choir.

I left after having my photo taken (below) with the conductor of the Hogwarts Express, who was nice and said he knew Kent (where I live) very well – i think he was actually English, not just one of the Americans who bothered to try to effect the accent. I then went to the adjacent Jurassic Park land. This was lots of fun, because there were things to DO, as opposed to just things to buy at inflated prices and rides to ride. I learned about dinosaur fossils and merged my “DNA” with that of a dinosaur to make an amusing hybrid creature (photo below).

We then went to a live magic show. A man did card tricks, showed us a wallet which produced flames when opened, a thing which allowed you to levitate objects, and some sponges he did funny things with, appearing and disappearing and multiplying. It was more interesting than anything I saw in WWOHP, because it surprised me. There was nothing interesting or magical about WWOHP for me, sadly. Although, yes, I acknowledge I didn’t go on any of the rides.

A bit later I went on a boat that is meant to Popeye’s, or something. I have no idea what most of these lands and attractions are about because I’ve not seen/read what it’s based on, but that was fun anyway. I left Islands of Adventure shortly after this.

Going to end this entry on a nicer note and recount a dream I had last night. I rarely remember my dreams, sadly. John Green says other people’s dreams are only interesting to them (put far more nicely, of course) but I shall put it here because I don’t know where else to.

I was arranging a gig for Lucie Jones (currently Cosette in LES MISÉRABLES in London) and Tom Jones. I went in to bar and Cheryl Cole was there. I then went upstairs to a cinema and it was a screening of Deathly Hallows. June Ackland from THE BILL was there, as were the fighting girls from THE X FACTOR the other week, both naked, unfortunately.

It was at this point that I woke up. Phew.